Noisy Charlie ( 嘈查理 )

Live review from Underground Rocks 2019

1. Raise up
2. Gate
3. Two of us
4. Insomnia
5. Split

未知是否因為首次The Hub演出,Noisy Charlie的現場表演音量頗為失衡,大部分時間都聽不到主音聲線,只聽到鼓聲,但亦而聽出鼓的部份分明有勁,幾過癮。樂隊整體風格突出,每首歌都有不同感覺,又鮮明的分別,卻又一致地帶點迷幻、失落。如果能夠改善樂隊整體配合及和諧感覺,一定更正。而歌曲Insomnia最能表達樂隊獨特、吸引之處,正如失眠的感覺般纏擾,迷惘、迷失但又不頹廢!
– 傑仔

One of the best surprises of Underground Rocks 2019 was finding that opening band Noisy Charlie were superb. The band opened their set with Raise Up, a song dedicated to the government, which had a strong reggae vibe in its off-kilter guitar and distorted shouts. However, this was just one genre they would blend into their shape-shifting sound.

Guitarist King produced a stunning tone with his shining Gretsch Black Falcon, which sat high and crisp in the mix. Vocalist C朗 was intriguing to watch; the emotions of each song playing out in his facial expressions and mannerisms and he channelled every ounce of himself into the performance. There was a touch of Cedric Bixler-Zavala to his elastic singing – the Mars Volta vibe was especially heightened when C’s voice paired with bassist Samuel’s intricate and jazzy bass scales and King’s intricate noodling.

Clean-toned arpeggios started Two of Us, during which C’s soft vocals took a backseat to cerebral post-rock. A distinctive melody took listeners on a journey, evoking shades of Hong Kong group Prune Deer. King was impressive in his speed and precision as he delivered a great solo before bringing things home with a loud, heavy rock finish.

There was a slight delay while drummer 威倫’s kit was fixed after a cymbal rattled loose, but the show was quickly resumed for Insomnia. Melancholic guitar and morose singing instantly conjured Deftones in all their early 00s angst. A slow tempo and soft vocals soon built to soaring, anguished wails, crashing cymbals and galloping toms creating an all out frenzy to finish.

A sunny picked indie melody intro led into upbeat closer Split, during which psychedelic guitar effects came into play before an all out drum-smashing, guitar-destroying, bass-rumbling, manic-voiced outburst to finish. It may be a cliche, but the only criticism of Noisy Charlie’s set was that it wasn’t longer. They showed how a band with a shifting genre/post rock sensibility can work with vocal elements if done right. They have clearly mastered eccentricity without sacrificing integrity and it was a pleasure to be in their thrall for five varied and exciting songs.
– El Jay

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Performances by Noisy Charlie ( 嘈查理 ):