Yusobeit

Live review from Winter Festival (冬季音樂祭) Day 1:

celebration
蕪鳴
怪物
56k
無大礙
正好

 

UDG WINTER FES 2026
Yusobeit – 望見台下
(CANTO ROCK)

當連阿ROSS都High到「舉高隻手」,你就知Yusobeit唔係講笑,so as ROSS嘅搖滾精神!

Who is ROSS?一個七十三歲仲會入場聽Underground音樂嘅優雅伯伯!
How do I know ROSS? 因為主音阿YU(Elvis)走落台Shout Out佢,搖滾而不失禮貌地問呢位伯伯幾歲,令我哋知道同場有阿ROSS一齊Rock!

阿YU流住「表演者」嘅血,Entertainer獨有嘅癲狂式Hustle精神支撐佢澎湃輸出!裡面當然有著唱功、台風等「技巧」,而更多嘅係「個性」,以及個性使然下嘅自然發揮,其中一樣就係令佢留意並回應台下嘅「洞察力」!呢樣天賦令阿YU喺人群中睇得見阿Ross,令觀眾渴望自己成為表演一部份!(同埋令到觀眾定大會人士請佢哋飲啤酒,哈!)

Yusobeit四子有一段時間無齊整夾Band(因為結他手KIT小朋友出世,Congratulation!),默契依然喺度,但就多啲蝦碌嘢!第一首歌KIT爸支結他斷弦,縱使佢好冷靜咁處理,首歌唱完都趕唔切,正! 阿YU冇放過呢個炒熱氣氛嘅機會,幽隊友一默後令大家喺下首歌更留意結他表現aka Rising a guitar monster——何況佢嘅嘶吼&鼓手嘅Rap已成功帶觀眾入Rock Mode!或者係我企得前過喇叭,又或者係器材問題,聽阿YU把聲有啲細,未100%感受到佢scream嘅威力,可惜!本身今次Yusobeit選歌前Rock後抒情,有啲反差,而YU把厚聲唱Live絕對Carry到兩種曲風&唱腔,同時又Keep觀眾Entertaining,夠氣又夠戲!今次嗌得唔夠,期待 Yusobeit四子器材全Ready下嘅表演,亦期待佢哋點玩大場!

如果你搵緊一隊表演力爆登嘅Rock Band,嗌得唱得,表演充滿驚喜嘅,係Yusobeit㗎啦!

P.S. 網上其中一個對Yusobeit嘅Comment係佢哋「冇自己把聲」,因為唱法太似Supper Moment,DAMN that’s not true,睇一次佢哋嘅Live,佢哋絕對擁有自己嘅聲音,仲愈聽愈上癮!YU同SUNNY相似嘅係眼神入面嗰種狂熱,下秒隨時為表演唔知做啲咩出嚟嘅不可預知性;呢樣係同樣流住「表演者」血液,心入面有Entertainer使命嘅人嘅共同語言,鳴就明!

Yusobeit UDG WINTER FES 歌單:
Celebration
蕪鳴
怪物
56k
無大礙
正好
加唱:秋分

Elvis : Vocal
Kit: Guitar
Andy: Bass
MC : Drums
-劉海亮


Live review from 19th Anniversary Party:

1)#celebration
2)你講你愛我
3)蕪鳴
4)怪物育成計劃
5)56kbps
6)It’s okay

encore (in case )
7)不羨仙

A sense of chaos pervades metalcore group Yusobeit’s antepenultimate set. Turtleneck-clad lead singer Elvis, aka Yu, begins the performance with a yoga-like ritual before unleashing an anguished roar as an electronic synth track kicks in.

Melodic verses bookended by growling; angry rhythms; hardcore breakdowns; serrated electronic programming; all these elements combine to create the patchwork of industrial metal with elements of screamo that defines Yusobeit.

Bizarrely, much of the set has an overly loud drum click track throughout. What seems like a stylistic choice for the first track it appears in quickly becomes a probable sound error as the irritating, woodpecker sound persists throughout.

Elvis is undoubtedly a gifted showman, but drummer MC steals the show. Dressed in a golfing jumper and bucket hat, he stands up to rap while keeping the rhythm driving.

Fourth track 怪物育成計劃 brings some variation to the set as a poppier number with rolling toms before 56kbps leads the descent back below the surface of the primordial soup, with reptilian screams, barking and shouts “jump! jump! jump!” that whip up the crowd.

It’s hard not to recall Hoobastank’s The Reason for the final song It’s Okay. Vocals are softer and more evocative of Chino Moreno’s brooding, plaintive style, and rumbling drums and bass underpin verses that intensify in emotion as the song plays out.

Overall, although Yusobeit seem to have all the individual elements in place to be a truly gripping live band, sound inconsistencies — the strange metronome and a guitar almost inaudible throughout the set –regrettably make for a lacklustre experience.
-El Jay

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